welcome to bookbug!
Bookbug is a book club created by Vashti and Maple (yes, me!)! Each month we will read a new book & (try to) finish it by the last Sunday of each month. Each member has their own /bookbug page on their website, so we can all share our thoughts (。•̀ᴗ-)✧
updates:
september: added my review for Pnin, review for One Hundred Years of Solitude will come soon (hopefully)
august: Pninstarted reading it this week, really enjoying it so far! and updated my 2024 reads page ヾ(-ω・*)
july: To the Lighthouse✳ review is up!
june: Strangers on a Train✳ review is up!
may: The Master and Margarita✳ review is up!
✳ a re-read of one of my absolute favourites!
about the bookbug club
After talking about books we always wanted to read but had never gotten around to, me and Vashti decided to start our own book club! The club is going to be very casual and fun, we hope you join us!do you want to be a bookbug?
Please click the button above to check our website!
credits
layout base by fiziwhig edited by me to work on neocities (please do NOT use it...)content by maple
go back to my main website by clicking the button below:
what i read in 2024
NOTE: the books listed here that are not part of the book club will not have reviews, only a star-rating!
for a more complete list of what i've read in other years, and a favourites list, you can check my goodreads profile.
January
The Mousetrap, by Agatha Christie
Convenience Store Woman, by Sayako Murata
Wind/Pinball, by Haruki Murakami
Frenchman's Creek, by Daphne du Maurier
A Wild Sheep Chase, by Haruki Murakami
O homem duplicado, by José Saramago
Ballet Shoes, by Noel Streatfeild
Dance Dance Dance, by Haruki Murakami
February
Giovanni's Room, by James Baldwin
March
A Midsummer Night's Dream, by William Shakespeare
The Bell Jar, by Sylvia Plath
April
Sputnik Sweetheart, by Haruki Murakami
Notes from Underground, by Dostoyevsky
May
Spring Snow, by Yukio Mishima
The Master and Margarita, by Mikhail Bulgakov
June
Strangers on a Train, by Patricia Highsmith
July
To the Lighthouse, by Virginia Woolf
Lady Windermere's Fan, by Oscar Wilde
Witness for the Prosecution and Selected Plays, by Agatha Christie
The Mysterious Mr Quin, by Agatha Christie
An Artist of the Floating World, by Kazuo Ishiguro
August
Nocturnes, by Kazuo Ishiguro
Peril at End House, by Agatha Christie
September
Pnin, by Vladimir Nabokov
my book reviews
NOTE: these contain spoilers!
please proceed at your own risk.
Pnin (Vladimir Nabokov)
book info
Read on my phone (I'm getting so tired of this but since I was in the middle of moving, buying a copy wasn't an option)Publisher: Everyman's Library
Year: 1957
book review
This was my third Nabokov book - and I think every time I enjoy his works more. I can see some people thinking this story was boring, but I think I really like books like this; I cannot help but love and adore Timofey's antics!Unfortunately my reading was very choppy, real life responsibilities prevented me from enjoying it in long reading sessions. Nevertheless this is definitely one I see myself coming back to re-read in a few years.
(I'll come back to this review to add more thoughts !)
"It was the world that was absent-minded and it was Pnin whose business it was to set it straight."
To the Lighthouse (Virginia Woolf)
book info
Got a copy from my local library c:Publisher: Alma Classics
Year: 1927
book review
This was my first Woolf book! I was always overwhelmed when I thought about reading her, first for not knowing how to choose which book to start from; and second because it felt like such a difficult author. The funny thing is I have had at least 5 or 6 of her titles in Portuguese back at my mom's house, which I bought when I was around 16 years old, hoping that one day I would get to feel confident to read.I feel like starting with To the Lighthouse was a good choice, at least I really did enjoy reading it. In the beginning of it I was quite confused, as there were a lot of characters to try and understand in a stream of consciousness style of prose. After a while I got used to it and was able to appreciate it.
The images this book provoked were so beautiful and poetic that I really cannot wait to read more of her work. Highly recommend.
"He smiled the most exquisite smile, veiled by memory, tinged by dreams."
Strangers on a Train (Patricia Highsmith)
book info
Downloaded it and read it on my phone using the Yomu app.Publisher: Vintage
Year: 1950
book review
I read a lot of Patricia Highsmith last year, and this book was on my list for quite a while. Everything I read by her so far has been great, the way she writes really makes me see the book as a movie in my head, while reading. The characters were quite interesting, I love all the internal dialogue of conflict throughout the book (which I now realize is not a popular opinion, after reading some reviews online!).Bruno was such a chaotic psychopat, I really didn't know what to expect of him. And Guy, even thought was a bit boring, in a sense, and egoistic, made me root for him until the end. I was tense the whole time while reading this!
Also found out that it inspired a Hitchcock film - I'm not much of a movie person, so I had no idea. Might be interesting to watch it now.
"People, feelings, everything! Double! Two people in each person. There's also a person exactly the opposite of you, like the unseen part of you, somewhere in the world, and he waits in ambush."
The Master and Margarita (Mikhail Bulgakov)
book info
Downloaded it and read it on my phone using the Yomu app.Publisher: Grove Press
Year: 1967
book review
This was a re-read of one of my all time favourite books! I was very excited to read it again, it was so magical the last time. The first few chapters are some of the best I ever read, I love the meeting of the devil and how Bulgakov writes. I'm also very sad that when reading it the first time, I took so many notes on my copy of the book, and after wrote a lot on a piece of paper and kept it with it - and that copy is now in another continent, in my mother's house! Anyways, to the review:"Manuscripts don't burn"I was fascinated when I learned that Bulgakov, suffering from censorships at the time, destroyed a version of this book, and then later reconstructed it; and also reworked on it many times during his life, never knowing if it would be ever be published. Knowing this only makes the book that much more special to me, more real. That is one of my favourite things about the novel, how entwined reality and fantasy are.
I'll add a bit more here of my thoughts once I get rid of this headache :-(
"You pronounced your words as if you refuse to acknowledge the existence of either shadows or evil. But would you kindly ponder this question: What would your good do if evil didn't exist, and what would the earth look like if all the shadows disappeared? After all, shadows are cast by things and people. Here is the shadow of my sword. But shadows also come from trees and from living beings. Do you want to strip the earth of all trees and living things just because of your fantasy of enjoying naked light? You're stupid."
Extra Reading:
1. The Figure of Pontius Pilate in the novel The Master and Margarita by Bulgakov compared with Pilate in the Bible by Belfiore Qose
Notes from Underground (Fyodor Dostoyevsky)
book info
Downloaded it and read it on my phone using the Yomu app.Publisher: Vintage Classics
Year: 1864
book review
I don't know what I expected of this book, probably not much, since I have the habit and tendency of not reading about books, especially when I know I will want to read them in the future. I found the concept of the underground so interesting and fascinating - the way the character analyses and criticizes himself at the same time as he is acting the way he disagrees he should be acting! How incredibly relatable.I feel that this is a book I will think about for a while, months, maybe years too, it will keep digesting. It's hard to write a review of it now, only having finished it last night. The man in the underground is an overthinker, pessimistic, self-conscious to the extreme, and in his violent thoughts, he made me uncomfortable just by imagining living like that, with such hatred towards not only himself, but everyone and everything around him.
"I was then already bearing the underground in my soul. I was terribly afraid of somehow being seen, met, recognized."
The Left Hand of Darkness (Ursula K. Le Guin)
book info
Got it on my local library.Publisher: Orion
Year: 1969
book review
This review will be about the first 110 pages, which is what I could read; I am not one to give up on books, but this was too much! Firstly, I am not a sci-fi person (at all), so I was already out of my comfort zone; Secondly, the book is written in the form of reports, really descriptive, which really did not help getting me to care about neither the story or the characters.The main idea of the book is a planet where gender does not exist. This could potentially be an interesting topic, but I felt that it was not impacting me as much as it could have been; I was not at any point curious at all about how this could work... it was just too boring overall. I do not think sci-fi is for me, and things like "Therem Harth rem ir Estraven, Lord of Estre in Kerm (...)" are just noise for me, what does that first part even mean? The writing style feels like she was trying too hard to make things sound 'intelligent' and complex, but ended up just as vague and uninteresting for me.
I also heard that this book was feminist, but to be honest I do not see how - if they don't have gender, how does that change any patriarchal view or attitudes?
In summary, I am glad I tried it, because this author was on my to-read list for a long time, so now I can be at peace with knowing that it is not for me.
Giovanni's Room (James Baldwin)
book info
Read on the Yomu app with a PDF version of it.Publisher: Penguin
Year: 1956
book review
"Perhaps home is not a place but simply an irrevocable condition."This book is such a struggle! Not to read - reading it was quick, because once you start it is hard to stop, but a struggle from beginning to end in the story. It is a bit heartbreaking to read about David and Giovanni being so confused and lost in themselves. David seems to never be happy, neither with himself, with Giovanni or with Hella. He is haunted by his own thoughts and to society's expectations of him (including his own father). I found it interesting that even with the characters I believe were definite homossexuals, mentioned 'going back' to a woman; they had accepted that they could never live their whole life any other way.
Convention is a big topic in the book. Besides the obvious convention to be straight, there was also the convention of a woman's role in life. I felt so sad for Hella, thinking that all she was good for was being next to a man (her man), and thinking she should get rid of all the rest of her, all her personality, intelligence, wishes and dreams to be whatever her husband wanted her to be. It is just another prison, a suffocating cage, just like the one David and Giovanni are in.
The room itself was described in such a way that it made me anxious while reading any scene that was in it. It made me claustrophobic!! And it felt smaller each time they went in it.
Another comment I have on the book itself is the use of French in it; being fluent in another Latin language certainly helped me, but if that is not your case, I think it would be important to stop and translate those along the way!
Convenience Store Woman (Sayaka Murata)
book info
Since I'm visiting my family, I couldn't take this book out the library, and I didn't want to purchase it, so I downloaded a PDF version of it and read it on my phone (with an app called Yomu).Publisher: Grove Press
Year: 2016
book review
To be honest, I did not enjoy this book - it was a quick read, since it is a short book, but it felt too much and too little at the same time. The story and dialogues are very repetitive (up until a point, I think it worked, since that was the whole idea - how Furukura's life was structured and routine based), however, I feel as if it lacked plot. The main character needs to copy mannerisms, speech tones, etc in order to fit it with her co-workers and family; and even doing that, she doesn't feel part of society. I read her as an autistic person (I can be wrong here, as I don't really know a lot about it!), but she really does not have any personality at all besides being a store worker.Even when something breaks off her daily routine (the arrival of Shiraha), she ends up going back to her old self. She cannot break her mold of store worker. One thing I enjoyed in the book was the questioning of what makes us as a society happy - her sister was happier thinking Furukura was in a bad, kinda abusive relationship, instead of their weird co-dependent arrangement. To be fair, I'd be concerned with both situations.
I would love if the Shiraha situation had been explored more, or made her change in some way. Furukura is too self-aware in social situations, which causes her to appear weird, but she does not realize that - she talks too much of how a "normal person" is suppose to be, while not wanting to be that. It's very controversial in my view, and I was expecting her to find happiness in an unconventional way (or maybe she did, in fact, was her happier self working in the store?).
In short, I agree with this review of the book:
"However Keiko isn't just a nonconformist, odd or eccentric person. She seemed mentally impaired - possibly autistic - which made the message rather confusing to me. The way I see it, people usually have lower expectations of a mentally impaired person, and would be more than happy if that person has a satisfactory job and is able to live independently, so the message didn't ring true to me." "I feel like there's a good novel somewhere in 'Convenience Store Woman' but Syaka Murata didn't realise it. Her commentary on conformist society and the individual is inane and unoriginal though far worse is her muddled placement of the main character within that commentary."
Crime and Punishment (Fyodor Dostoyevsky)
book info
The edition I'm reading is, first of all, in Brazilian Portuguese (it happens that I'm currently visiting my family and I had this book since 2013 but had never read it!), by a publisher that specializes in translating directly from Russian - which I think it's much better than the other Portuguese editions where they translate it via an English translation (imagine how much you lose with that!).Publisher: editora 34
Year:1866
book review
Raskolnikov slowly gnawed at my heart and won me over as a sympathetic reader. In the beginning I could not grasp why his character was so depressed and thought so many horrible things - and I definitely could not understand why he felt the need to do that. His detachment from the rest of the world and his state of mind is still something I could not fully comprehend (thankfully, I think!). As the chapters go by, he seems to keep spiraling down in his own madness; and everything is slowly revealed to the reader (which really helps to put us as close as possible to the mind of the main character). That was one thing I enjoyed the most throughout the book, how naturally we find more details on everything that is going on! It really builds suspense and made me more emotionally attached to the story."The old woman was a mistake perhaps, but she's not the point! The old woman was merely a sickness... I was in a hurry to step over... it wasn't a human being I killed, it was a principle! So I killed the principle, but I didn't step over, I stayed on this side... All I managed to do was kill. And I didn't even manage that, as it turns out..."His search for an excuse for his crime is very interesting and disturbed, as he sees himself as someone superior to others, which I believe helped him to actually do it - he is already distancing himself from society, and after he commits the crime, he is even further away from it (and this alienation will only start to decrease once he confesses his crime to Sonya).
Raskolnikov kept mentioning Napoleon many times during the book, I believe as a way to justify his thoughts and actions, and to prove that he was indeed superior to the rest of society, and as such, not guilty of his crime: "(...) certain men are exempt from laws created by society, as their actions against these laws are done for the greater good." (2).
"What do you think, would not one tiny crime be wiped out by thousands of good deeds?"He tells Sonya that he killed because he wanted to become Napoleon - and the article mentioned above is a really interesting read to understand the symbolism between them (in Russian, I used Google Translate to be able to understand it!).
When investigator Porfiry Petrovich, in the third conversation with Raskolnikov, tells him: "It's not a matter of time, but of yourself. Become the sun, everyone will see you. The sun must first of all be the sun", then he means [...] the fact that the hero, in fact, did not dare to become Napoleon, avoiding truly determination and fate last.from the article Napoleon-Sun (Podosokorsky)
One of the things, I think, made clear for both reader and to Raskolnikov that he is in fact, not the superior being he thinks he is, is the fact that he does not profit from his crimes. He at first hides the things he has stolen, to come back later, but never does. For me, that means that he is a good person at heart, just very troubled. He is tormented by his acts day and night, until he is able to confess his crimes: the punishment of being sent to Siberia is far less harsh than living with that weight in your mind and heart.
Every character in Crime and Punishment is very well written and needed for the narrative. They are all necessary to complete the puzzle of the plot, and I could not stop reading it (Dostoyevsky really knows when to finish a chapter, and HOW to finish it!!). Also, the character of Razumikhin is very interestingly the complete opposite of Raskolnikov - and in a footnote I learned that his name comes from the Russian 'razum', meaning reason.
To conclude, I enjoyed this book much much more than I thought I would. Highly recommend it! (:
References:
1. Napoleon-Sun in Dostoyevsky's Crime and Punishment, by Nikolay N. Podosokorsky.
2. An Analysis of Crime and Punishment, by Paris Whitney.
3. Psychological Analysis and Literary Form: A Study of the Doubles in Dostoyevsky, by Lawrence Kohlberg.